I'll be the dog that appears on it, because today, I'll become a pioneer. My great-great grandmother, Strelka, the first dog to travel to and back from space. Today, she's the first animal to take a drive in Robby, our selfdriving car. Her grandmother was the first animal to return from space. ![]() Gonna break in lose( gonna break in lose) His last hit was the schmaltzy She Wears My Ring in 1964, but however much he may have drifted out of the spotlight until his death in 1978, The Wild One remains a crucial release in Australian pop history, the moment when one of our own proved he could admirably reproduce the devil’s music.Got the massage that i got yo be a wild one Like many slick rock and rollers of the 50s, he found himself bewildered by changes in music and fashion as the 60s progressed, and would not allow “long-hairs” on his television show Sing, Sing, Sing. O’Keefe did not exactly live up to The Wild One. Such is the song’s status that an extended version of Iggy Pop’s version became the famous theme music for the great music institution that is the ABC’s Rage. The most famous reincarnation of the song was Iggy Pop’s Real Wild Child (Wild One) in 1986, while others to cover the song include The Crickets, Albert Lee, Status Quo, Lou Reed, Joan Jett and Jerry Lee Lewis himself. The Wild One went on have a long and storied recording life. My friends said he couldn’t sing, but he sang better than anyone else.” He was outstanding to me, because he was so different. In a recent interview, Australian poet Robert Adamson – a one-time wild one himself – spoke about the music of his adolescence:“Johnny O’Keefe was the wildest thing I’d heard, he had a croaky voice which I liked, and he was rebellious, he drove Customlines and smashed into walls and stuff. He did, after all crash cars on the Pacific Highway, raunchily hump microphones when performing and turn up drunk to promotional events. But don’t underestimate how rebellious a figure O’Keefe cut amid the grey landscape of Australian suburbia in the late 1950s. O’Keefe’s stature as the godfather of Australian rock’n’roll (and this single marking its apparent birth) is overstated. But The Wild One’s allure had much to do with its performer. ![]() ![]() There is some doubt as to how much input O’Keefe had in the songwriting process (the song is officially credited to O’Keefe and fellow Dee Jays Johnny Greenan and Dave Owens as well as radio DJ Tony Withers, who helped with airplay). They played upstairs as a wedding took place downstairs, with guests from the respective events coming to blows in the bathroom, leading to a dramatic brawl that spilled out to the street. He hardly soars, but the attitude of a flailing, testosterone-fuelled young man is encapsulated perfectly, with his inevitable growls and whoops all delivered with restraint and timing.Īccording to Casch, the song was inspired by an incident that occurred when O’Keefe and his band the Dee Jays, which Casch played in, performed a concert at a venue in Newtown, Sydney. While rarely hailed for his vocal ability, O’Keefe’s performance on The Wild One serves the song beautifully. The track is driven by a pounding Jerry Lee Lewis-style rhythm, with guitarist Lou Casch further defining the song with a simple but perky riff, and the chugging saxophone of many O’Keefe hits. The Wild One was released on 5 July 1958, and while it did not reach higher than 20 in the charts, Sydney-born O’Keefe became the first homegrown rocker to achieve a national chart placing.
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